Stephanie O'Rourke

Stephanie O'RourkeStephanie O'RourkeStephanie O'Rourke
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    • collaborations

Stephanie O'Rourke

Stephanie O'RourkeStephanie O'RourkeStephanie O'Rourke
  • Home
  • Research
  • Teaching
  • CV
  • Books
  • Public Engagement
  • collaborations

collaborative work

Working collaboratively with artists, curators, and climate scientists is a core part of my research. I also consult and write for museum exhibitions.


Past examples include:

24/7 at Somerset House, London

https://www.somersethouse.org.uk/whats-on/247

Edgar Degas: A Strange New Beauty, The Museum of Modern Art, New York

https://www.moma.org/calendar/exhibitions/1613

Tony Oursler, The Imponderable Archive, Bard Graduate Center (New York) and Parc des Ateliers (Arles, France)

https://tonyoursler.com/tony-oursler-the-imponderable-archive-1

Exhibition catalogue essays

2025  ‘The Romantic Landscape and the Industrial Forest,’ in German Romantic (Milwaukee Art Museum, Wisconsin).

2019  “The Handmade Moon,” Thinking 3D, eds. Laura Moretti and Daryl Green (Oxford: Bodleian Library Publishing, 2019). 

2018  “The Remnants and Outsiders of 1879,” The Royal Academy Summer Exhibition 1769-2018: An Online Chronicle and Database (Paul Mellon Centre). 

2016   “The Singular Multiple,” Degas: A Strange New Beauty, ed. Jodi Hauptman (The Museum of Modern Art), 56-62. 

2015   “Invisibilities: Mesmer in the Archive,” Imponderable: The Archive of Tony Oursler. (Zurich: LUMA Foundation.) Also published in French as “Mesmer et l’archive.” 427-434 and 539-547.

2014   “Jewish Woman (1950) and Blue Short-Circuit (1951),” Museum Research Consortium Dossier I: Works of Jean Dubuffet (The Museum of Modern Art).

2014  With Jodi Hauptman, “A Surrealist Fact,” Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949, eds. Mitra Abbaspour, Lee Ann Daffner, and Maria Hambourg. (The Museum of Modern Art) http://www.moma.org/interactives/objectphoto/assets/essays/Hauptman_ORourke.pdf.

so38 at st-andrews dot ac dot uk

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