Working collaboratively with artists, curators, and climate scientists is a core part of my research. I also consult and write for museum exhibitions.
Past examples include:
24/7 at Somerset House, London
https://www.somersethouse.org.uk/whats-on/247
Edgar Degas: A Strange New Beauty, The Museum of Modern Art, New York
https://www.moma.org/calendar/exhibitions/1613
Tony Oursler, The Imponderable Archive, Bard Graduate Center (New York) and Parc des Ateliers (Arles, France)
https://tonyoursler.com/tony-oursler-the-imponderable-archive-1
2025 ‘The Romantic Landscape and the Industrial Forest,’ in German Romantic (Milwaukee Art Museum, Wisconsin).
2019 “The Handmade Moon,” Thinking 3D, eds. Laura Moretti and Daryl Green (Oxford: Bodleian Library Publishing, 2019).
2018 “The Remnants and Outsiders of 1879,” The Royal Academy Summer Exhibition 1769-2018: An Online Chronicle and Database (Paul Mellon Centre).
2016 “The Singular Multiple,” Degas: A Strange New Beauty, ed. Jodi Hauptman (The Museum of Modern Art), 56-62.
2015 “Invisibilities: Mesmer in the Archive,” Imponderable: The Archive of Tony Oursler. (Zurich: LUMA Foundation.) Also published in French as “Mesmer et l’archive.” 427-434 and 539-547.
2014 “Jewish Woman (1950) and Blue Short-Circuit (1951),” Museum Research Consortium Dossier I: Works of Jean Dubuffet (The Museum of Modern Art).
2014 With Jodi Hauptman, “A Surrealist Fact,” Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949, eds. Mitra Abbaspour, Lee Ann Daffner, and Maria Hambourg. (The Museum of Modern Art) http://www.moma.org/interactives/objectphoto/assets/essays/Hauptman_ORourke.pdf.